J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.   Related Paintings of Jean Auguste Dominique Ingres :. | Joan of Arc at the Coronation of Charles VII. | Portrait of Princesse Albert de Broglie | Portrait of Duke Ferdinand-Philippe of Orleans (mk04) | Portrait of Duke Ferdinand-Philippe of Orleans,as St,Ferdiand of Castile (mk04) | Madame Riviere (mk05) |
Related Artists:
Fetti,Domenico
Italian painter , 1589-1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s-C30s, three "foreigners" Fetti and his younger contemporaries Bernardo Strozzi and Jan Lysebreathed the first influences of Roman Baroque style.
HOOGSTRATEN, Samuel van
Dutch Baroque Era Painter, 1627-1678 Dutch painter, draughtsman, engraver and writer. His multi-faceted art and career testify amply to the unflagging ambition attributed to him as early as 1718 by his pupil and first biographer, Arnold Houbraken. During his lifetime van Hoogstraten was recognized as a painter, poet, man of letters, sometime courtier and prominent citizen of his native city of Dordrecht, where he served for several years as an official of the Mint of Holland. Today he is remembered not only as a pupil and early critic of Rembrandt, but also as a versatile artist in his own right. His diverse oeuvre consists of paintings, drawings and prints whose subjects range from conventional portraits, histories and genre pictures to illusionistic experiments with trompe-l'oeil still-lifes, architectural perspectives and perspective boxes.
Ludovike Simanowiz
Deutsch: Friedrich Schiller (1759 - 1805), Ölgemälde von Ludovike Simanowiz 1793/94 English: Friedrich Schiller, German poet, philosopher, historian, and dramatist